The lead vocals should be the center of your attention.
Live sound vocal compression.
Compression your best friend and your worst enemy.
You can use compression on vocals to just even out the performance and to create an effect.
This tc helicon t1 vocal compression unit is perfect for any singer looking for a singular functioning effects pedal.
Heck it d certainly save me a few keystrokes.
Now without soloing the vocal slowly turn down the threshold knob to adjust the amount of compression on the vocal.
This pedal s primary function is to help a singer control vocal dynamics and tone.
Lead vocals some recording engineers think compression is a must for vocals.
Sure it s fun to roll off some of the top end on your hall reverb but don t let that distract you from the things that actually need attention.
There is no one size fits all formula to vocal compression.
It evens out the often erratic levels that a singer can produce and tames transients that can cause digital distortion.
Compression should be used sparingly.
We would recommend this to a hobbyist singer songwriter musician.
The processor is ideal for use in practices and live performances.
If the vocal s volume drops down then adjust the makeup gain input.
I wish i could do that too.
You can set the attack release to auto or go to 12 o clock on either one.
But the truth is it s not that easy.
When used correctly compression is a key ingredient for vocals that sound professional modern and radio ready.
Many bloggers will tell you what the perfect vocal compression settings are.
This is a fine way to start with a comp on vocals and will let you actually hear much of whats happening as you dial it in and hear the way the compressor works with the voice.
There are no magic settings that work 100 of the time.
When used incorrectly compression can quickly ruin a good vocal recording and make your music sound amateur and over processed.
By bypassing and applying the compressor get the input gain same as without the compressor.
